The updated Collection is equipped with new features especially suited to software, such as polyphonic compatibility and a rich, high-quality effects section. We plan to refine the user interface on a large-scale among other improvements but until then we hope you love all the new features so far and enjoy making music with the KORG Collection of synthesizers offered by KORG.
Rather it digitizes the components used in the original hardware synthesizers and uses this reconstruction of the hardware circuits to emulate all the nuances of the original instruments. In addition, we have equipped ARP ODYSSEY with features such as filters from each of the three original Odysseys produced between and , and added important features such drive circuitry to boost the VCA, voice mode which allows for chord playing, a programmable arpeggiator, and high-quality effects. This is a new and exciting high-performance synthesizer! KORG Collection is not just standalone software.
Add flair to your music composition with a variety of timeless, legendary sounds. Using the Vector Position control, you can dynamically crossfade among four wave sequences see Web Clip 2. The WaveSeq Edit page lets you specify a sequence''s beginning and ending steps, loop direction, modulation parameters, and so on, as well as edit each step by selecting its waveform, duration, level, tuning, and crossfade time.
You can also set the duration, level, and crossfade parameters graphically using Wavestation''s Step Display, which is convenient for visualizing the entire step sequence. The WaveSeq Edit page makes editing wave sequences much easier than with previous Wavestations. The Effects button takes you to a display that shows all the parameters for either one or two insert effects.
Clicking on an effect''s name summons a pop-up menu showing 55 Wavestation effects, which are identical to those on the hardware version. They range from stereo harmonic chorus to stereo vocoder and delay.
As you edit, a handy Back button toggles between the two most recent pages. When I compared Performances played on Wavestation with those played on the Wavestation SR, I was surprised to discover practically no audible differences. After all, I''ve grown accustomed to playing soft synths that sound almost like the instruments they emulate.
But as I switched back and forth in my sequencer between playing hardware and software, I quickly lost track of which Wavestation was which see Web Clip 3. After spending some time searching for a Performance that was noticeably different, I found only a few in which the modulation parameters varied slightly, but the sounds themselves were indistinguishable. Now that Korg has successfully emulated Wavestation in Legacy Collection 1.
I also want to be able to load user waveforms into its oscillators, and I''d like a larger selection of filter types than those that the original offered. For that matter, I wouldn''t mind seeing expanded oscillators and filters in all of Legacy Collection''s synths. MSFX allows you to route audio tracks and inputs through its audio pathway as if they were MS voices.
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MDE-X, on the other hand, is a dedicated effects plug-in in the traditional sense. You can select an algorithm from a pop-up menu on the left side of the plug-in window. The name of the selected effects preset appears above the name of the current algorithm. When I clicked on it, I expected to see a pop-up menu for selecting additional presets, but none appeared. I consulted the manual and learned that in order to choose from the list of presets, I needed to Control-click or right-click in Windows.
It would be more intuitive if clicking on the preset''s name produced the preset list without the need for a modifier such as the Control key or the right mouse button. MDE-X''s parameter controls, which appear on the right side of the plug-in''s window, are fairly extensive and easy to access.
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The choice of controls depends on the currently selected algorithm. For example, the 4-band EQ operates much like a dedicated EQ plug-in; in addition to toggling between peak and shelf types, it has four graphic breakpoints that you can click-and-drag to define your equalization curve. The compressor offers look-ahead and trigger monitor functions, four sidechain types, a choice of RMS or peak detection, and other useful features.
Only certain parameters, indicated visually by a ring around the corresponding knob, respond to MIDI control. I''m glad that Dynamic Modulation allows automation for certain parameters, but I wish that more simultaneous parameters were available to control. Some algorithms, particularly reverb, don''t offer any real-time parameters at all.
I realize that editing reverb parameters in real time consumes CPU cycles, but a user with a powerful computer might want that option. Every effect sounded superb, equaling or exceeding the performance of Korg''s Oasys PCI card—which is quite an accomplishment for software that runs native. Although I wish that MDE-X''s user interface offered a larger view, I have to give Korg two thumbs-up for creating such an excellent effects plug-in.
Legacy Cell is a framework that combines a maximum of two synthesizers with effects processing, resulting in a new software instrument with plenty of new sounds. Because it''s a 21st-century synthesizer rather than a direct emulation of a vintage instrument, Legacy Cell is almost as flexible as Wavestation. A Legacy Cell patch is a Performance, and each Performance contains its component synths, effects, and associated parameters. Legacy Cell is organized into four pages, each accessed by clicking on a button in the window''s top bar. In the Performance page''s top-right section is the Program Display, which shows a list of 32 Performances.
You can see the three other groups of 32 Performances by clicking on numbered buttons below the list.
When you select a Performance by clicking on its name, its category is displayed above the list. An Info button opens a display that contains the author''s name, most recent modification date, and other text pertaining to the selected Performance. A block diagram of the Performance''s components appears in the Connection area to the right of the list see Fig. Two master effects appear below the Program display and the Connection area. Both virtual processors are identical to the MDE-X plug-in and offer the same selection of algorithms and parameters.
If Legacy Cell contains only one synth rather than two, you can access every preset on both processors. Below the effects, Legacy Cell''s control panel contains eight strips—each with a knob and a slider—and closely resembles the layout of the MicroKorg controller. In fact, Legacy Cell has a native mode that lets you use the MicroKorg to control its functions.
You can also use the MSiC''s knobs to control Legacy Cell''s knobs and sliders, but I had an even more convenient control surface sitting in front of my computer display. By clicking and holding the cursor over the onscreen controls, choosing Learn from each control''s pop-up menu, and turning a knob on my Evolution UC, I very quickly assigned Legacy Cell''s eight knobs to the UC''s top eight knobs and the eight sliders to its lower eight knobs—very convenient.
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Next to the MIDI controls is a mixer for two synths, two master effects, and the master output. It lets you specify synth and effects levels, panning, and whether effects sends are pre- or postfader. Each strip also has a Mute button and a stereo level meter. A keyboard, complete with Modulation Wheels and Pitch Bend, is located below the strips.
At the top of the window are two buttons for selecting the synths used by the current Performance. When you click on either button, it displays a Synth page. Click on the MS button, for example, and you''ll see the same MS window you saw in the MS application, complete with a choice of four views. Two insert effects appear at the bottom of the Synth page. Both are functionally identical to MDE-X, but they''re a little larger and black rather than silver. Clicking on the Combination button opens an edit page in which you can graphically set Key Zones and Velocity Zones, as well as independently transpose the two synths and specify different MIDI controller responses.
A graphic Velocity curve lets you add and edit breakpoints that affect each synth''s Velocity response. It''s obvious that a lot of programming effort went into Legacy Cell''s Performances.
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Two banks feature Performances each—many more new programs than Legacy Collection''s other synths. Because Legacy Cell holds only one bank at a time, you must load the other bank from disk. Overall, the Performances are excellent, providing electronic timbres of every description see Web Clip 4. Most of them sound modern, even cutting-edge. I''ve always felt that Korg hires some of the best synth-programming talent in the world, and Legacy Collection demonstrates that quite effectively.
Software is only part of the Legacy Collection. It is a USB-powered keyboard controller that furnishes every knob and patch jack found on its namesake. Korg legacy collection problem purchased the Korg legacy collection software on ebay a few days ago. Korg Legacy collection I purchased the Korg legacy collection software on ebay a few days ago. Are you getting an authentic Native Instruments. Sequential Circuits.
Korg Legacy Collection
View the discussion thread. Korg Legacy. Demo Visit Korg 's website to download a free demo and try it out for yourself!
Manual Download the complete owner's manual from Korg here. Polyphony - MS, Polysix: Wavestation, M1: Oscillators - MS Filter - MS Independent High Pass and Low Pass filters. Lowpass filter. Lowpass filters. Effects - MS Chorus, Ensemble, Phase. MDE-X Effects: Compressors, Limiters, EQ, exciters, decimator, flanger, phaser, chorus, delay, reverbs, overdrive, wah-wah.